- Nathan Lane takes on a legendary dramatic role.
- Laurie Metcalf shines in a raw, new way.
- The aesthetic of this show is total art.
Finally, some news about a classic play that actually feels fresh. You might think we don’t need another version of ‘Death of a Salesman.’ You would be wrong. Nathan Lane is on stage and he is absolutely electric.
Director Joe Mantello didn’t go for a dusty, old look. The vibe is stark and blistering. The visual style uses sharp light and high contrast. It feels like a living painting. Bold. Raw. Sad.
While we are talking about big events, CBS just announced a live special for the Artemis II return. It is a different kind of drama, but just as intense! Back on Broadway, Laurie Metcalf is just as good as Lane. They are a powerhouse pair.
Some people wondered if a funny man like Lane could handle a tragedy. He can. Easily. Just like how Freida McFadden shocked her friends with her secret identity, Lane is shocking the theater world with his depth.
Our Take
We think this is a must-see. The show doesn’t look like a boring history lesson. It looks like modern art. It is fast. It is loud. It is heartbreaking. Even Disney’s new PR lead couldn’t spin a better story than this revival. Go see it for the acting, but stay for the beautiful, moody aesthetic.
